Travis Keyes joins me on Them Frames That Make Us to share three photographs that shaped his photographic journey: a professional image, a personal image, and one that’s never been seen before.
We start with a portrait of Cameron Boyce, made spontaneously on the streets of New York. Travis explains why this image means more to him than almost any other he’s taken.
Then it’s his full-circle Annie Leibovitz moment, a story ten years in the making that starts with a selfie. Along the way we get into imposter syndrome, self-belief, and why no two photographers will ever tell the same story.
Finally, a world exclusive: a never-before-seen portrait of a true icon of rock and roll photography, straight from the archives.
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Follow Travis:
Instagram: / @twkeyes
Website: traviswkeyes
His first film, Bulls, is out now, with a new podcast on the way.
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